R&B Xmas Concert Review: An Emotional Trip Back to the Nineties

This second annual R&B Xmas Ball showcased a lineup of artists known for their Christmas records. Instead of focusing on seasonal songs, the night served as a nostalgic excuse for a voyage back to the earnest and emotional sound of 90s R&B.

Opening Acts: Classic Vibes

Dru Hill presented iconic R&B in coordinated outfits, with music videos from the 2000s playing behind them. Next, a set of mostly slow jams from the artist Joe prepared the audience for the main artists.

Toni Braxton's Moving Set

The beginning of Burna Boy’s Last Last cleverly transitioned into He Wasn’t Man Enough, tying in Braxton's artistic legacy. At first, her performance with a live band appeared anchored in the time period of her greatest success.

However, deep into her set, she spoke about her struggle with lupus and being told she might never perform live again. Singing Breathe Again in a single spotlight, she gave a deeply heartfelt performance. “As long as I live, I will never forget tonight,” she stated earnestly.

Driving guitar chords then launched the audience into Long As I Live, cementing her command over the crowd's emotions. She finished with an impeccable, though somewhat shortened, rendition of her iconic hit, Un-break My Heart.

The Group Boyz II Men: Harmony Masters

Appearing on stage in strikingly matching all-white outfits, Boyz II Men began with Motownphilly. They moved through classics like Water Runs Dry and On Bended Knee, showcasing breathtaking three-part vocals that were both precise and responsive to their accompaniment.

Their set featured interpretations of inspirations, such as a memorable solo on Purple Rain, and songs influenced by them, like Bruno Mars’s Locked Out of Heaven.

A Touch of Holiday Spirit

Finally, the concert embraced the holiday theme with renditions of Silent Night and Let It Snow. The performance ended with a strong finale of hits including One Sweet Day, I’ll Make Love To You, and End of the Road.

Overall Impressions

While the night's production had some glitches, and the sense at points was of artists paying homage to their past selves, the net result was transportive. The audience was briefly taken back to the golden age of R&B, going home dusted with glitter rather than frost.

Spencer Brown
Spencer Brown

A cultural critic and arts journalist with a passion for uncovering hidden gems in the UK's creative landscape.