The work of Bristol sound co-founder the musician-producer, this sharp-edged though undernourished debut feature turns a sceptical eye on the ecstasy-fueled club scene. Self-serving drug user David (Marc Bessant) first robs an passed-out supplier, then in another flashback tries to burgle his own parents. Before you can say, he's upside down in the wreckage of his car in a woodland – and subject to the angry eye of the Poacher (vocalist Jason Williamson). Declining to free David, with impatience toward city dwellers, he is a fractured society embodied: “You’re one of those noisy cunts from up on the heath.”
Unsteady Opening and Darkly Funny Confrontation
The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his safety harness, while clumsily segueing into past scenes of his normal activities. The central theme – that the rave-era youth were mainly focused on themselves – is firmly made. But these brief episodes are too thin to adequately prepare us for what to expect when the Poacher arrives, enraged after David strangles his dog. Still, a grimly amusing duel unfolds – David desperate to escape; the Poacher denying his container of scrumpy, determined to dousing him instead in resentful talk. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.
Visual Flair and Music Video Sensibility
There is only one important plot development, but it leads to a hilariously staged chaotic run on the forest trails that veers toward folk horror. Filmmaker John Minton finally gets to go all in with his showy imagery: where he was focused intently doing impressionistic closeups of insects in the light in the opening part, he now goes all out with the full psychedelic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the UK video industry.
Game releases in British and Irish theaters from 17 November.
